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Micrphones
 

Whether word, or song, or play – every performance is about the passion you’re giving it, and also about your stage or studio equipment. Sennheiser’s professional microphones fill this part with great convincing power. Trusted by the world’s greatest artists, you’re sure to find the perfect podcast microphone for your livestreams or discreetly using a lavalier microphone to bring you audience closer to your movie productions. Our gear can be found live on stages around the world, in professional studio productions and in broadcasting.

Products

  • Short shotgun interference tube mic for film, radio, and television, especially for outside applications. Excellent directivity and compact design.

  • MKE 600

     

    Shotgun mic for cameras capable of handling the most demanding filmic challenges. Effectively attenuates noise coming from the sides and rear.

  • e 835

    Dynamic cardioid microphone that projects well and cuts through high volumes on stage. Intended for home recording, semi-pro studios and live sound.

  • MKE 2

     

    High-quality, sub-miniature omni-directional clip-on lavalier microphone. For all areas of live work. Fulfills highest demands on sound quality and ruggedness. Sweat protected by special ultralight Umbrella Diaphragm™.

  • e 935

    Dynamic cardioid vocal mic offering a natural sound. Fast transient response ensures no details are missed. 100% metal casing for tough on-stage use.

  • e 945

    Dynamic super-cardioid vocal microphone with a narrower pick-up pattern. Rich in detail, the ideal choice when the vocals really have to cut through.

  • e 604

    Compact dynamic cardioid instrument microphone that is compatible with toms, snares, and percussion. Clips-on quickly and easily wherever you choose.

  • MKE 1

    Sennheiser’s smallest professional clip-on mic. Ideal for musicals, live shows, and broadcasting applications. Full, natural sound. High speech intelligibility. Very sweat-resistant due to protective membrane.

  • ME 2-II

    Small omni-directional clip-on microphone for speech and vocal applications. High speech intelligibility. Easy attachment on any clothing.

  • e 906

    Professional super-cardioid, dynamic instrument mic with switchable presence filter. Versatile to handle drums, percussion, and guitar amplifiers.

  • e 908

    Professional cardioid condenser gooseneck for superb definition. For wind instruments, congas, drums with free-floating suspension. Easily mounted/positioned. Intelligent preamp for cable. Phantom power. Level check.

  • e 914

    High-grade cardioid condenser microphone for demanding applications. Outstanding sound properties for highly sophisticated applications like acoustic guitars, cymbals, percussion, overheads, orchestras, and grand pianos.

  • e 965

    High-end flagship condenser microphone with the sensitivity of a studio condenser, but tough enough for the stage. Switch between gentle cardioid and more directional super-cardioid polar patterns. Stellar 40Hz–20 kHz response.

  • HSP 2

    High-quality condenser omni-directional neckband mic for vocal and speech applications. Individually adjustable. Patented sweat-protected diaphragm. Easily interchangeable and combinable components thanks to modular design.

  • HSP 4

    High-quality condenser cardioid neckband mic for vocal and speech applications. Individually adjustable. Integral wind/pop shield . Easily interchangeable and combinable components thanks to modular design.

  • ME 62

    Omni-directional microphone head suitable for K6 and K6P powering modules. For reporting, discussions, interviews, and 'room' ambience recording. Minimal inherent self-noise. High maximum sound pressure level.

  • ME 64

    Cardioid microphone head suitable for K6 and K6P powering modules. For reporting, interviews, dubbing, live sound reinforcement, and recording applications. Excellent directivity across whole frequency range.

  • ME 66

    Super-cardioid/lobar microphone head suitable for K6 and K6P powering modules. For reporting, film, and broadcast location applications, as well as for picking up quiet signals in noisy or acoustically live environments.

  • ME 67

    Long gun microphone head designed for use with the K6 and K6P powering modules. Especially suitable where the microphone must be placed at a distance from the sound source. Highly directional.

  • MD 421-II

     

    A legendary cardioid mic with clear sound reproduction. Easy handling due to its directivity. For most recording conditions and broadcast applications

  • MD 42

    High-quality omni-directional microphone for rough use in live reporting and broadcasting environments. Excellent speech intelligibility. Easy handling. Avoids wind and handling noise problems. Extra long body.

  • MD 441-U

    Dynamic super-cardioid microphone offering the sound quality of a condenser mic. Balanced sound. Precise and distortion-free reproduction even at highest sound pressure levels.

  • MD 46

    High-quality dynamic cardioid microphone for rough use in live reporting and broadcasting environments. Especially tuned for interview situations. Special design avoids wind and handling noise problems. Metal housing.

  • MKH 418-S

    Universal M-S stereo shotgun microphone. For every type of application in film, radio, television, and reporting, both indoors and outdoors. Compact design, very good consonant clarity and spatial representation.

  • MKH 60-1

    Lightweight short gun microphone. Versatile and easy to handle. Excellent for film and reporting applications. Superb lateral sound muting. High degree of directivity ensures high sound quality for distance applications.

  • MKH 70-1

     

    Lightweight long gun microphone. Particularly suited to distance microphone positioning. Frequency-independent directivity prevents sound coloration from off-axis sound sources. Exceptionally low inherent self-noise.

  • MKH 8050

    Super-cardioid microphone. Perfect for recording soloists, large instruments like the grand piano but also orchestras. Balanced frequency response within the pick-up pattern. Absolute acoustical separation of instruments.

  • MKH 8060

    Compact shotgun microphone. Provides great sound to feature films, documentaries, outdoor shoots or studio productions. Absolute natural sound and outstanding off-axis linearity. Ideal for camera mounting.

  • MKH 8070

     

    Long shotgun microphone. Ideal for major broadcast and sporting events. Extreme directivity, reliably capturing distant sounds even under the toughest sonic and climatic conditions. Extremely weather-proof.

  • MD 431

    One of our most exceptional microphones. Super-cardioid. For vocals, speech, and broadcasting. Exceptional feedback rejection. Shock-mounted capsule for very good rejection of handling noise. Hum compensating coil.

  • ME 102

     

    Unobtrusive omni-directional miniature microphone capsule module. For all vocal and speech applications. Fulfills highest demands for sound quality and rugged handling. Minimal inherent self-noise.

  • ME 104

    Unobtrusive cardioid miniature microphone capsule module. For all vocal and speech applications. Fulfills highest demands for sound quality and rugged handling. Minimal inherent self-noise.

  • MKE 40

     

    Cardioid clip-on microphone. Excellent speech intelligibility. High feedback-rejection. Outstanding bass reproduction.

  • MK 4

    Professional quality cardioid condenser microphone for home, project, and professional studios. A 1 inch true condenser capsule produces powerful warm sound. High sensitivity. Ideal for vocals and acoustic instruments.

  • MKE 400

    Compact shotgun mic for cameras with a lighting shoe mount and external microphone input. Maximum side noise rejection. Rugged all-metal housing.

  • MKH 20-P48

    Omni-directional RF condenser microphone. Ideal as a main microphone for orchestras and solo instruments. Picks up the natural acoustics of the room. Exceptionally low inherent self-noise. Light metal body.

  • MKH 30-P48

    RF condenser microphone with figure-of-eight pick-up pattern. Particularly suited to soloists and small instrumental groups. Can also serve as an 'S' microphone in MS stereo applications as well as a support microphone.

  • MKH 40-P48

    Cardioid RF condenser microphone. For a large number of applications, e. g. as a main microphone, especially in lightly reverberant or acoustically less perfect rooms, with instrumental groups or for speech applications.

  • MKH 50-P48

    Super-cardioid microphone designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. Frequency-independent directional characteristics.

  • MKH 800 P48

    Superior microphone for every recording application. Exceptionally wide dynamic range. Five switchable pick-up patterns. Switchable multi-stage tone control. Stable directivity across the entire response range.

  • MKH 800 TWIN

    Universal studio condenser microphone of exceptional quality. Pick-up patterns can be remotely adjusted and optimized under monitoring conditions. High transducers linearity minimizes signal distortions.

  • MKH 8020

    Outstanding omni-directional instrument microphone. Ideal as a main mic for “spaced pair” and “Decca Tree” recordings or the use in an OSS “Jecklin Disk“ array. Wide frequency response: 10 – 60,000 Hz.

  • MKH 8040

    Versatile cardioid microphone. Especially suited to applications in rooms with poor acoustics or when disturbing sounds impinge mainly from the rear. Balanced frequency response. Extremely low distortion.

  • MKH 8090

    High-quality wide cardioid microphone. Ideal as a main microphone when less acoustic impression of space is demanded or as a support microphone for capturing larger groups of instruments. Very natural sound.

  • MK 8

    Professional quality dual-diaphragm condenser microphone with five independant polar patterns for advanced home and studio recording. Two 1 inch diaphragms deliver warm and precise sound.

  • ME 3-II

    Headmic with cardioid capsule to use with wireless systems.

  • MKE 2 digital

    Professional recordings for on the go: The MKE 2 digital combines crystal clear sound with high-resolution signal converter technology from Apogee for modern iOS devices.

  • AMBEO VR Mic

    The AMBEO VR Mic makes capturing real spatial sound as simple as any stereo recording. You don’t need to set up several microphones – saving you time, money and manpower. Furthermore, using the AMBEO VR Mic means you’ll never have to add other sounds in the mix anymore to achieve stunning 3D sound.

  • Compact stereo shotgun microphone for cameras. Two mini shotgun mics ensure that the MKE 440 captures audio you want while rejecting off-axis noise.

  • MKE Essential Omni

    The newly developed KE 4 capsule is derived from the Broadway standard MKE 2, with improvements that provide a warm and distortion-free signal, even at high sound pressure levels. Reduced to the essentials, the aspirations of big productions become feasible, even for smaller productions and smaller budgets.

  • HSP Essential Omni

    Whatever you want to convey, the HSP Essential Omni neckworn microphone gives weight to your voice. Just as it pushes your speech forward, the device itself holds back from pressure and discomfort. Inconspicuous and lightweight, it is barely felt, even when worn for extended sessions. 

  • e 602-II

    Cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs and tubas. Solid, lightweight, and easy to position. For studios, clubs, rehearsal rooms, smaller gigs, or for home recording.

  • evolution Drum Set

    All you need for a powerful drum performance in a heavy duty case for optimal protection: 1x e 602-II, 4x e 604, 2x e 614.

  • e 609 silver

    Super-cardioid silver instrument microphone designed for miking guitar cabs face-on and extremely close to the source. Provides isolation from other onstage signals. Also suitable for miking drums, especially toms.

  • e 608

    Dynamic super-cardioid miniature instrument microphone. Ideal for brass, drums, and woodwind. Flexible gooseneck with multifunctional clip for easy positioning. Handles high SPLs without distortion.

  • e 614

    Super-cardioid electret condenser microphone for demanding instrument recordings, and performances that produce extended frequencies, high SPL handling and transient response. For woodwind, strings, and home recording.

  • e 825-S

    Dynamic microphone

  • e 845

    Dynamic super-cardioid vocal mic, which helps to reduce spill and feedback. Ideal for presentations, conferences, choirs, rehearsal rooms, and stage. Easily eliminates ambient noise. Superb high frequency reproduction.

  • e 865

    Electret condenser microphone with super-cardioid pickup. Rugged, for live performance and lead vocals with natural, detailed sound. Sensitive to the slightest nuances. Precise reproduction for moderators and speakers.

  • e 901

    Condenser boundary plate microphone. Half-cardioid for a precise, fast, and realistic sound from a kick drum. Also for conference tables, podiums, altars, stages, pianos, and percussion. Full-bodied response.

  • e 902

    Dynamic cardioid bass instrument microphone with integral stand mount. Designed for deep frequencies such as kick drums, bass guitar amps, and tuba. Dampens mid-range to accentuate high-end and bass. Rugged housing.

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